Photo of Ubirajara Sanches Brazil

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Biography

Meu Percurso began in Graphics, having developed various techniques such as screen printing, stamping, as well as creation in the advertising area. Starting in 1992, I began to explore my artistic work with figures derived from Hollywood film glamor. “There is something melancholic, as in the figures of Edward Hopper, which run through the work of Ubirajara Sanches between erotic suggestion and abandonment, the figures seem to invite us and at the same time alienate us in their spaces. A poetry of charm and disenchantment haunts these figurative montages"

Exhibitions carried out

  • 2021, Galeria O Apê - Expo Coletiva , Porto Alegre/RS - Brasil
  • 2019, Galeria Brix 21, "Viva o povo Brasileiro" , Porto Alegre/RS - Brasil
  • 2019, Galeria Solar Mineráux "Corpo / Corpus" Porto Alegre/RS - Brasil
  • 2019, Ginko 788 "A natureza em nós" Porto Alegre/RS - Brasil
  • 2018, Galeria Burk'Arte "Internacional Sem Título" (participaram artistas do México, Argentina, Peru e Espanha), Porto Alegre/RS - Brasil
  • 2018, Galeria Allegro, "O que esconde as palavras" , Porto Alegre - Brasil
  • 2018, Galeria Burk'Arte "Quando Setembro chegar" , Porto Alegre - Brasil
  • 2017, Galeria Duque, "Catálogo Dartis Nº 5 - Porto Alegre/RS - Brasil
  • 2016, Escola da poesia "Amefricana" Porto Alegre/RS - Brasil

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Meu Percurso began in Graphics, having developed various techniques such as screen printing, stamping, as well as creation in the advertising area.

Starting in 1992, I began to explore my artistic work with figures derived from Hollywood film glamor.

Then I started to explore different techniques, in which the female characters excel.

I quote the opinion of an art historian friend, which I think defines my approach a bit:

“There is something melancholic, as in the figures of Edward Hopper, which run through the work of Ubirajara Sanches between erotic suggestion and abandonment, the figures seem to invite us and at the same time alienate us in their spaces.

A poetry of charm and disenchantment haunts these figurative montages"

Dirceu Marins - PhD in Art History

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